Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.  Related Paintings of Tintoretto :. | Christ in the House of Martha and Mary | St Jerome and St Andrew | Glorification of St Roch | Battle | Bacchus, Ariadne and Venus |
Related Artists:
Hans Schmidt
19th
Theodor van Thulden
Flemish Baroque Era Painter, 1606-1669
Jacob Grimmer
(ca. 1526-1590) was a Flemish Renaissance landscape painter. Grimmer was born and died in Antwerp. According to Karel van Mander he first learned to paint landscapes from Matthys Cock and later from Christiaen Queburgh, both of Antwerp. He was a very skilled painter of houses, sky, and foreground views. He was a member of the Guild of St. Luke who was active as a rederijker and acted in many plays. According to the RKD his earliest dated work is from 1546 and his latest dated work was 1589. Most of his works are landscapes and he worked together with Gillis Mostaert. Abel Grimmer was his son and pupil.